Vintage Glass Slides Celebrate Classic Horror Films + An Interview with Colin Clive!

Halloween 2015 gives us a good reason to take a fresh look at some of the greatest horror film classics ever made. But not by viewing the familiar artwork found in vintage posters and lobby cards. Instead we have found several rarely-seen and extremely fragile glass slides that were projected onto movie screens over 80 and 90 years ago. Let’s begin the tour.

DR. JEKYLL AND MR. HYDE (1920) is often credited as the first American horror film. Although filmed many times beginning in 1911, this 1920 silent film version starring John Barrymore in his “breakthrough” movie performance is generally regarded as the best film version. This takes nothing away from at least two excellent sound film versions made in 1931 and 1941. The 1920 version is readily available today on Blu-ray, DVD, and streaming video:
Jeykyll Hyde slide

Before Lon Chaney frightened audiences in THE HUNCHBACK OF NOTRE DAME (1923), the Man of 1,000 Faces created chills in this 1922 film, which alas, is lost:
Chaney A Blind Bargain

Decades before JURASSIC PARK let loose an army of angry dinosaurs, movie audiences were awed by living prehistoric creatures in THE LOST WORLD (1925). Based on the popular novel by Sir Arthur Conan Doyle, this film is available on DVD:
Lost World copy_edited-Final

Lon Chaney scored a huge hit with one of the most memorable films of all time. New generations today find THE PHANTOM OF THE OPERA (1925) is still a potent brew. The enduring popularity of the Chaney film has resulted in this PHANTOM being available on Blu-ray as well as DVD. We are also lucky to have TWO glass slides for this classic:
Phantom slide_edited-Final
Phantom_edited-1 copy

Chaney Sr. did not rest on his laurels with PHANTOM, but followed it up with edgy dramas such as THE ROAD TO MANDALAY (1926), which only partially exists today:
Road to Mandalay 1

American horror films didn’t become established until the talkie era with DRACULA and FRANKENSTEIN, both released in 1931. A lesser-known film released in 1932 is THE WHITE ZOMBIE starring Count Dracula himself, Bela Lugosi. This low-budget film has grown in stature through the years and today is considered a classic. As a sign of its stature, ZOMBIE is available on DVD and even Blu-ray:
White Zombie

One of the best of the early 1930s horror classics is THE INVISIBLE MAN (1933), based on a novel by H.G. Wells, and starring Claude Rains in his first film. The romantic lead was Gloria Stuart who 60 years later appeared in TITANIC (1997):
Invisible Man Final

1933 was a banner years for classic films and horror movies were no exception. In addition to THE INVISIBLE MAN, the public was treated to KING KONG:

The public barely had time to catch its collective breath when later in 1933 the sequel to KONG was released. While not as good as the original, SON OF KONG is enjoyable on its own terms:
Son of Kong Glass Slide

Another early horror talkie that has grown in stature is THE BLACK ROOM (1935) starring the Frankenstein monster himself, Boris Karloff. And yes, it’s available on DVD:
The Black Room 1935 copy

It was only a matter of time before those Twin Princes of Horror Films, Boris Karloff and Bela Lugosi, were co-starred. THE RAVEN (1935) is the second of several successful films from the Karloff-Lugosi team and, yes, is on DVD:
Raven Final

Is there a consensus on one classic horror film that is considered the best ever made? Well, if there is, that film would be the sequel to FRANKENSTEIN (1931). Filmed under the working title of THE RETURN OF FRANKENSTEIN, this stunning film would be known to the world as THE BRIDE OF FRANKENSTEIN (1935). Of course, this one is available on Blu-ray and DVD:

British actor Colin Clive played Dr. Henry Frankenstein in those first two films of the series, FRANKENSTEIN (1931) and THE BRIDE OF FRANKENSTEIN (1935). Here is a candid of Colin Clive and Valerie Hobson on the Universal backlot in January 1935 during the filming of BRIDE:
Clive_ Hobson-copy_Final

Colin Clive was regarded as a gifted actor but a troubled individual. He passed away in 1937 following years of alcohol abuse complicated by tuberculosis. Typical of many actors of that time, Mr. Clive was unhappy with his being cast in these so-called “horror films.” But unlike other actors, he had no hesitation to go public with his concerns. Here is a rare interview with the man that many consider to be the definitive Dr. Frankenstein:
Clive Interview


On the Set with Colin Clive

Clive002_New Final Final_edited-2
Colin Clive (1900-1937) is forever immortalized as Henry Frankenstein in the first two Universal FRANKENSTEIN films. His real forte as an actor was playing angst-ridden neurotics – meaning that he was perfectly cast as Henry Frankenstein – and when portraying a driven nervous energy character he didn’t seem to be acting. Much has been written about Colin’s health issues including a tubercular condition and alcoholism that eventually brought him to an early death. But here we’d like to celebrate his unique persona and compelling voice that made him so unforgettable even though his career was relatively brief. As you scroll down to the images, listen to his rare “lost” radio performance of November 14, 1935. Colin is introduced by host Rudy Vallee:

Colin takes a tea break with co-star Valerie Hobson on the set of BRIDE OF FRANKENSTEIN (1935). They seem to be in the middle of filming their first scene when Henry Frankenstein is brought back home on a stretcher and his fiance Elizabeth believes that he is dead:
Colin-Clive,-Valerie-Hobson copy_Final

Universal publicists were eager to take a number of photos of Colin and Boris Karloff taking breaks on the BRIDE set:
Karloff048 copy_Final

A playful Colin hugs Valerie Hobson somewhere on the backlot of Universal during the making of BRIDE during January-February 1935:
Clive_ Hobson-copy_Final

Another BRIDE publicity shot – the Monster is supposed to hate fire but perhaps that doesn’t apply to lighting his cigarettes:
Clive and Boris BRIDE copy_edited-Final

When Colin worked for 20th Century Pictures in late 1934, the studio did a publicity shoot at his apartment at the Hollywood Tower located on Franklin Avenue in Los Angeles:
Clive 2_edited-1 copy_Final

At Warner Bros. filming THE KEY (1934), a story of the Irish Rebellion. To Colin’s right are director Michael Curtiz and the film’s star William Powell:
Clive Curtiz Powell the Key_edited-1 Final

Colin and girlfriend Iris Lancaster out on the town circa 1935. It is believed that Iris paid the expenses of his funeral. She worked as an actress in films until 1944 and thereafter vanished from public life:
Colin and Iris Lancaster_edited-Final

On the roof of the Hollywood Tower (still in operation today offering luxury apartments), Colin looks out over the LA landscape towards the “Hollywood” sign in the distance:
Clive001 copy_edited-Final
If you are only familiar with Colin’s work in the FRANKENSTEIN films, you definitely will want to check out his performances in CHRISTOPHER STRONG (1933) with Katharine Hepburn, MAD LOVE (1935) with Peter Lorre and Frances Drake, and HISTORY IS MADE AT NIGHT (1937). with Jean Arthur and Charles Boyer.

On the Set Again with Karloff & Lugosi: A New Halloween Tribute

Last Halloween and thereafter, we received quite a number of hits on our tribute to those unsurpassed masters of the macabre, Boris Karloff and Bela Lugosi. Since there’s plenty more, we decided to salute our horrific heroes again for this Halloween. Admit it, we know that we’re in the presence of the masters when reciting a single line such as, “I never drink – wine,” from DRACULA (1931), or “I dislike to be touched,” from THE MUMMY (1932), can be more blood curdling than the goriest of chainsaw massacres.

On the DRACULA set, Bela Lugosi greets Horace Liveright who produced the Broadway play version that brought stardom to Lugosi. The film’s director Tod Browning stands to the left of Bela:

Boris Karloff has survived the rigors of makeup and costuming as he checks the script before filming a scene for THE MUMMY (1932):

But nothing was as arduous as sitting for hours as makeup artist Jack Pierce literally made a Monster out of Boris. Judging by the status, I’d say they were only at the beginning of the procedure:

By contrast, Bela Lugosi’s greatest makeup challenge as Dracula was to make himself look as handsome as possible:

The boys would vary their horror film appearances with an occasional non-horror movie where they still gave audiences the creeps. Here Bela Lugosi as a medium matches wits with Warner Oland as Charlie Chan in THE BLACK CAMEL (1931), the only Charlie Chan movie filmed on location in Hawaii. Bela and Warner are standing in the lobby of the Royal Hawaiian Hotel:

Boris Karloff plays an anti-Semitic Prussian nobleman whom George Arliss has outwitted in THE HOUSE OF ROTHSCHILD (1934):

Colin Clive as Dr. Frankenstein shares a tea and cigarette break with Boris on the set of BRIDE OF FRANKENSTEIN (1935):

It was inevitable that Boris and Bela would be teamed, but the real surprise is that they worked very well together. The first and arguably the best of their co-starring vehicles is THE BLACK CAT (1934), a film that had nothing to do with Edgar Allan Poe, and almost nothing to do with cats either:

Their third pairing is a personal favorite of your blogmeister, THE INVISIBLE RAY (1936), a stylish sci-fi yarn that seamlessly blended in the Gothic horror elements of their earlier films. Here Dr. Karloff has been poisoned by his discovery of Radium X, and appeals to Dr. Lugosi for help. You just know this will turn out badly:

These guys seem to be holding their own Halloween party. On the set of SON OF FRANKENSTEIN (1939) they are really celebrating Boris’ birthday – from left to right, Boris, director Rowland V. Lee, Bela, and Basil Rathbone:

Halloween Bonus! Hear Boris Karloff and John Carradine on INFORMATION PLEASE, a live and unrehearsed radio show exactly as broadcast on February 20, 1942:


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