We will be visiting the Twentieth Century-Fox studios in our next post for a promised Hollywood party. But leading up to it, let’s check out one of the most beautiful films this studio produced during the Golden Age.
BLOOD AND SAND, or Sangue y Arena to use its original Spanish title, was an international best selling novel by Vicente Blasco Ibanez in 1908. Your blogmeister read this book recently (as a free ebook) and found this century-old tale quite contemporary. In effect, the matadors of yesteryear were the rock stars of their day. The story of the rise and fall of a young matador was a natural vehicle for Rudolph Valentino in 1922, following on the heels of his breakthrough film, THE FOUR HORSEMEN OF THE APOCALYPSE (1921), which was also based on an Ibanez novel. A generation later, this story of the bullring was refurbished for Tyrone Power and given the Technicolor treatment. Here is an original poster for its Spanish release:
This morality tale was as big a hit with audiences in 1941 as the Valentino version had been two decades earlier. Within only a few months of its premiere, Tyrone Power and his actress wife, Annabella, reported to the Lux Radio Theater to perform an adaptation for millions of listeners worldwide. Just click on the arrow below to hear the complete hour-long live broadcast of October 20, 1941:
Tyrone Power had successfully starred in the remake of Doug Fairbanks’ 1920 hit, MARK OF ZORRO, the year before in 1940. So playing Juan Gallardo, the ill-fated matador of BLOOD AND SAND, seemed a no-brainer – and it was:
The 1941 BLOOD AND SAND is available on dvd and is easily one of the best Technicolor films you will ever see. Rudolph Valentino’s 1922 version is also available on dvd and holds up very well against its talkie remake. The Valentino charisma helps enormously:
BONUS: Rudolph Valentino Sings! Rudy died in 1926 just before sound films arrived so how well he would have fared in talkies will always be one of the great “ifs” of film history. However, Rudy did leave us two sound recordings that he made in May 1923. He sings in both so we still don’t really know how well his speaking voice sounded or, indeed, how well he spoke English. At any rate, this is one of them: